Sharing the ‘documentary masters’ catagory at this year’s États généraux du film documentaire, Lussas, with Marc Karlin, was the experimental filmmaker, Michael Snow. Lussas curator, Federico Rossin, here introduces Snow.
Michael Snow (Toronto, 1929) is a major figure in contemporary art. His production is characterised by the close links binding works created using different types of media (film, photo, installation, painting, sculpture, music, writing). The modernity of Snow’s cinema pertains to his perception of the essential cinematic gesture, the camera movement, and the relations he explores between sound and image. His works have both a psychic and physical impact on the audience; they shake up the visible and plunge us into a profound experience of the perceptible. His films tend to be focussed on a cinematic strategy, on a process of film construction: yet they are never “minimalist”, making always sure that their forms can be apprehended by the spectator. They are rites of passage between pure perception and its representation, conceptual and extatic games playing with time and space, games that sometimes break the rules in order to put them in the spotlight.
Federico Rossin via États généraux du film documentaire – Lussas
For further viewing, here is an interview and profile of Michael Snow from 1983. It includes extracts from his films, ‘Back and Forth’, ‘Wavelength’, ‘La Region Central’, ‘So Is This’ and gallery piece ‘Two Sides To Every Story’.
The film was made for Channel 4 ‘Visions’ and broadcast 19 January 1983.
Interview: Simon Field; Director: Keith Griffiths
Thanks to Large Door.