Video Essay Catalog No. 137 by Kevin B. Lee.
“Interface 2.0 is a short video essay that I produced for this issue of Frames. It engages with Harun Farocki’s 1995 short Schnittstelle (Interface). Schnittstelle was originally a two-screen installation made for the Lille Museum of Modern Art, and later adapted into a single channel video combining the two screens. In Schnittstelle, Farocki depicts his editing practices and reflects on the differences between working with film and video, as well as found footage and newly filmed material.
This video essay is not intended as a finished work, but an initial engagement with Farocki and his work. It takes Farocki’s work as a model, as a way to engage with, re-enact, and critically interrogate the original, within the context of the current proliferation and practice of online video essays and videographic film studies.”
by Kevin B. Lee
Une Femme Coquette may not sound like anything special—a 9-minute no-budget short film, shot on a borrowed 16mm camera by a 24-year-old amateur with no formal film school training. But the short, which was the subject of our article “Neither lost nor found: On the trail of an elusive icon’s rarest film” back in 2014, has for decades been a sought-after item for art-house buffs and rare movie fiends. Filmed in Geneva, Switzerland, in 1955, it was the first attempt at a narrative film by the iconic French New Wave director Jean-Luc Godard—a pivotal figure in the evolution of movie style, who would make his feature debut just five years later, with the hugely influential and perennially cool Breathless.
Never distributed, Une Femme Coquette has had less than half a dozen public screenings since the 1960s; we were able to track down the only known 16mm print to a national film archive in Europe, where it was being stored unlisted for a private owner, to be loaned out only with the personal permission of Jean-Luc Godard himself. This makes it the holy grail of the game-changing New Wave era—a film so rare that it has often been listed as lost by biographies and film history books. And it might as well have been. No other surviving narrative film by a major, big-name director has been as difficult to see—until now.
Earlier this week, a copy of Une Femme Coquette surfaced on the digital back channels frequented by obscure movie enthusiasts. An enterprising user named David Heslin has uploaded this rarity of rarities to YouTube, complete with English subtitles. Credited to “Hans Lucas,” a German pseudonym that the Franco-Swiss Godard would sometimes employ during his brief career as a film critic, Une Femme Coquette was the budding director’s modern update of a Guy De Maupassant short story called “The Signal.”
via AV Club
Icarus Films has announced the acquisition of all North American rights to Eryk Rocha’s new feature documentary on the Brazilian film movement, which is also titled “Cinema Novo.” Winner of the Best Documentary Award at the 2016 Cannes Film Festival, the “intricately edited” film combines film clips from the major works of the Brazilian Cinema Novo movement and period interviews with its leading filmmakers, including auteur filmmakers Nelson Pereira dos Santos, Carlos Diegues, Ruy Guerra, Leon Hirszman, Walter Lima Jr., Joaquim Pedro de Andrade, Paulo César Saraceni, Jorge Bodanzky, Orlando Senna, and Glauber Rocha (father of the documentary’s director Eryk Rocha), as well as of singer Ava Rocha, whose music is featured in the film.
These notable, although mostly unknown (in the USA) filmmakers pushed boundaries with aesthetically bold films that used non-professional actors and low-budget production techniques to tackle social issues; films including “Black God, White Devil,” and “Ganga Zumba” (both previously highlighted on this blog), as well as “Barren Lives” and “Iracema.”
The distribution agreement was signed by Jonathan Miller, Icarus Films, and Sandro Fiorin, FiGa Films.
Watch a trailer for “Cinema Novo” below:
via Shadow and Act
The Plan is directed by Steve Sprung, long time Karlin collaborator and former member of Cinema Action and Poster Film Collective. The Lucas Plan was a pioneering effort by workers at the arms company Lucas Aerospace to retain jobs by proposing alternative, socially-useful applications of the company’s technology and their own skills. It remains one of the most radical and forward thinking attempts ever made by workers to take the steering wheel and directly drive the direction of change.
Read more at The Lucas Pan 40th Anniversary
This video essay from Fandor was made for the Thought in Action: The Art of the Essay Film season at the BFI in August 2013. It’s creator Kevin B Lee was commissioned by the BFI to explore the somewhat indefinable genre essay film. Lee says “I spent several weeks reflecting on what the essay film is. This led to a video essay and text published via the BFI’s magazine Sight & Sound that aimed to argue for what true value this as-yet loosely-defined mode of filmmaking could bring to a world that is already drowning in media. Using the video essay to take a polemical stance was a galvanizing experience for me, as it clarified a great deal of my own sense of purpose in being a film critic in a landscape where critical opinions are abundantly available. This video features the work of Santiago Alvarez, Jean-Luc Godard, Alain Resnais and many others”.