The Serpent (1997) is a drama-documentary about Rupert Murdoch. Borrowing from Milton’s Paradise Lost, Karlin
tells the tale of commuter Michael Deakin (Nicholas Farrell), self appointed archangel, who falls asleep on his train and dreams of ridding Britain of the Dark Prince (Rupert Murdoch). The Voice of Reason stops him and not only exposes the futility of Deakin’s quest but confronts us, the silent majority, with our complicity in Murdoch’s rise to power.
Karlin guides us through the labyrinth of Murdoch’s psyche. Firstly ‘The Museum of the Fall’, a fable-like archive containing artefacts of Murdoch’s empire, where human sculptures display tabloid headlines that alter with the public mood, and where page three girls reveal the industrialisation of sex. Secondly, the telling silence that greets Murdoch’s 1989 address at the Edinburgh International Television Festival, where he calls for increased deregulation of television in the face of censorship. The Voice of Reason indicates to Deakin, “this is the silence of democrats … and the Dark Prince could bathe in that silence”
Karlin’s film is a stinging indictment on the Left’s failure to counter Murdoch’s increasing influence in the British media since the late 1960s, and consequently reveals the Left’s tendency to create their own monsters (Murdoch) in order to conceal their guilt. As Karlin remarks in an interview before his death, “In a way you could say it is a very healthy part of British democracy, whereby you invite the wolf who doesn’t disguise himself at all. But if you are going to invite the wolf, then you better start shaping up and debating.” Fifteen years later, over to you Lord Justice Leveson…
The Q&A is chaired by Picture This’ Dan Kidner, with Holly Aylett and Karlin’s cinematographer Jonathan Bloom.