Tagged: Poster-Film Collective

A Time For Invention · A Symposium of Radical Filmmaking


Sheffield Hallam University Thursday, 13 June 2013 from 10:30 to 18:00 (BST) Sheffield, United Kingdom

“We want to make films that unnerve, that shake assumptions, that threaten, that do not soft-sell”  Robert Kramer, ‘Newsreel’ Film Quarterly, Vol. 22, No. 2 (Winter, 1968-69), p.46, University of California Press

The late ’60s and ’70s saw the development of documentary film collectives in the UK that addressed the burning political issues of their day. They developed radical forms of independent film production and distribution prior to digital or the web and produced a large body of work, from short agitational cinetracts to sophisticated essayistic features.

The symposium seeks to re-ignite the work of this radical wave, to ask how they engaged with politics and film and how this might inform politically engaged filmmaking today. It will feature films, and filmmakers, from the ’70s generation alongside radicals of today.

Keynote Speaker: Federico Rossin (Critic and Curator)

Panelists include: Holly Aylett (Vertigo and ‘In the Spirit of Marc Karlin’ project) · Luke Fowler (Artist, Turner Prize Nominee 2012) · Lina Gopaul and David Lawson (Black Audio Film Collective/Smoking Dog Films) · Ann Gueddes (Founder of Cinema Action) · Dan Kidner (Writer and Curator, recently published ‘Working Together: Notes on British Film Collectives in the 1970s’) · Christine Molloy (Artist, Desperate Optimists) · David Panos (Artist, Jarman Award Winner 2011) · Steve Sprung (Cinema Action/Poster Film Collective/Lusia Films)

Wednesday 12 June · 18:45 · Showroom 2
The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott‘ (2012) by Luke Fowler

Thursday 13 June · 20:45 · Sheffield Library Theatre
The Stuart Hall Project‘ (2012) by John Akomfrah

The symposium is supported by: Sheffield Hallam University, Sheffield Institute of Arts, Art and Design Research Centre, Sheffield Doc/Fest

Producers: Virginia Heath, Esther Johnson, Steve Sprung

Enquiries: k.a.christer@shu.ac.uk · +44 (0)114 225 6918

Links: https://twitter.com/time4invention ·http://www.shu.ac.uk/research/c3ri/events/a-time-for-invention

Year of the Beaver – A Film about the Modern “Civilised” State.

Year of the Beaver Flyer

The Year of the Beaver (1985), directed by Steve Sprung, Dave Fox and Sylvia Stevens, recently screened by Radical Islington earlier this month, focuses on the industrial dispute at the Grunwicks photographic processing plant in Willesden, London in the summer of 1977. The workforce, predominately consisting of British Asian women, most of whom had only recently arrived in the UK, decided to go on strike over the issue of trade union recognition. The strike lasted for two years.

Jack Jones, the General Secretary of the Transport and General Workers Union (TGWU) under the Callaghan government, had tagged 1977 the ‘Year of the Beaver’ in an endeavour to encourage productivity and revitalise confidence in union-management relations. Contrary to this optimism, weaving workers interviews with news footage, the film reveals issues of race and gender discrimination in the workplace, media misrepresentation and dubious trade union conduct, all intensified on the picket line by an excessive police presence. Fundamentally, Year of the Beaver reveals the epoch transition from the post-war consensus in Britain, underpinned by the Keynesian economic model, to the neo-liberalist attitudes and policies adopted by the Thatcher government. The film depicts the inauguration of the post-Fordist paradigm – the casualised, flexible, temporary, outsourced working life to which we have now grown accustomed.

Steve Sprung, the film’s co-director and editor, was a member of Cinema Action, a leading independent film group, which became one of Channel 4’s first ‘independent sector’ workshops, a founder member of Faction Films and member of the Poster-Film Collective. In addition, Steve was a key collaborator with Marc Karlin and Lusia Films. Here is an excert from a wonderful article written by Steve for Vertigo magazine recalling his collaboration with Marc Karlin.

It was this Thatcher period which formed the context for my work with and for Marc. My background had been in a more agitational cinema, but I had been struggling for years, labouring away in the basement under Lusia Films, with a film about a failed strike under the previous Labour government, and its role in laying the ground for the Thatcherism that was to come. How to talk about events which had been mischaracterised both by the dominant media industry and by the working classes’ own trade union and political organisations? How to reveal this massive content, tell this necessary story, and find an adequate form in which to do it? This film, The Year of the Beaver, finally emerged in the early eighties. It manages to create multiple layers of meaning, drawing connections between the myriad things it had been necessary to take on board. When he saw it, Marc hugged me. This, I felt, was our first real meeting.

Steve Sprung would act as cameraman, editor and narrator on five films directed by Marc Karlin, including Between Times (1993), an essay on the future of the left and the search for viable alternatives, and The Serpent (1997), an indictment of the left’s demonising of Rupert Murdoch. Here are the first thirty minutes of The Year of the Beaver (1985).

The Year of the Beaver
UK 1985 Dir. Dave Fox/Steve Sprung/Sylvia Stevens. 77 min 16mm/b&w/2772 feet

Script SPRUNG, Steve

Script STEVENS, Sylvia

Script FOX, David

Director of Photography SCHESARI, Nancy

Director of Photography SPRUNG, Steve

Photography SPRUNG, Steve

Production crew SCHESARI, Nancy

Editor SPRUNG, Steve

Editor STEVENS, Sylvia

Editor FOX, David

Editorial consultant RONAY, Esther

Title Design GREEN, David

Sound Editor MacGILLIVRAY, Carol

Narrator LAMONT, Anne

Narrator SPRUNG, Steve

Company Information

Other Cinema Ltd – Foreign Theatrical Distributor

Poster-Film Collective – Production Company

Faction Films – Production CompanyGLC Productions, Inc. – Producer Credit