Marker Studio, 2007 © Adam Bartos

“Chris had a garage, a huge studio with drainpipes all across it. It was vast, and he put these little rolls of films all along the drainpipes, and then divided it onto countries, so you had Columbia, Peru, Cuba, Africa and so on. I entered this garage to find all these films from all these countries: the whole world was there. Right at the end there was Chris Marker on a platform with his editing table, and he looked like God. You had to walk past these films to reach him and sit down”.

Marc Karlin, (1999)

Looking at Class. Film, Television and the Working Class in Britain, S, Rowbotham & H, Beynon, (Rivers Oram Press:2001)

Marker Studio, 2007 © Adam Bartos