Tagged: Andy Robson

Picture This presents Marc Karlin, Roundtable discussion.

This month Picture This, in association with the research project “In the Spirit of Marc Karlin”, held an exhibition and screening programme focusing on the work of British filmmaker Marc Karlin (1943-99). Marc Karlin is an important but neglected figure within the British film avant-garde of the 1970s, 80s and 90s.

Arnolfini, hosted a weekend of screenings and talks which began with the seminal, Nightcleaners (1974). Shot in black and white, and punctuated with sections of black leader, Nightcleaners fuses political documentary with a rigorous reflection on the materiality of film and the problems of representing struggle. The programme continued with three films that Karlin made for television in the 1980s and 90s. For Memory (1986), features E.P. Thompson, and explores historical memory, Between Times (1993) looks at the fate of the British Left in the wake of Thatcherism, and The Serpent (1997) is a drama-documentary about Rupert Murdoch told through the lens of Milton’s Paradise Lost. Each film brilliantly captures the mood of the left in Britain through the 80s and 90s, whilst the aesthetic and political issues, and questions, they raise remain relevant and urgent.

The weekend ended with a round table discussion with contributors Holly Aylett, Jonathan Bloom, Kodwo Eshun, Luke Fowler, Andy Robson, Sheila Rowbotham, Steve Sprung and hosted by Dan Kidner.Picture This presents Marc Karlin, Roundtable discussion.

The audio from the weekend’s Q&As will soon be up.

Picture This Presents Marc Karlin

Picture This, in association with the research project “In the Spirit of Marc Karlin”, is pleased to present an exhibition and screening programme focusing on the work of British Filmmaker Marc Karlin (1943-99). The Video Shop at Picture This hosts a presentation of photographs, documents and journals, whilst at Arnolfini, Picture This will present a weekend of screenings and talks (see below for full programme).

The screening programme at Arnolfini (13 – 15 April) begins with the seminal, Nightcleaners (1974). Initially commissioned as a campaign film in support of an attempt by the women’s movement to unionise London’s night cleaners, the film soon became something else entirely. Shot in black and white, and punctuated with sections of black leader, Nightcleaners fuses political documentary with a rigorous reflection on the materiality of film and the problems of representing struggle. For Memory (1986), featuring E.P. Thomson, explores historical memory, Between Times (1993) looks at the fate of the British Left in the wake of Thatcherism, and The Serpent (1997) is a drama-documentary that portrays Rupert Murdoch as the Satan of Paradise Lost.

Each screening at Arnolfini is followed by a Q&A with one of the filmmaker’s former colleagues, and the weekend concludes with a roundtable discussion featuring all the contributors.

The project is generously supported by Arts Council England. With special thanks to Arnolfini, BFI, LUX, and In the Spirit of Marc Karlin (Holly Aylett, Hermione Harris and Andy Robson).

In The Spirit of Marc Karlin

A research project focusing on the work of British Filmmaker Marc Karlin (1943-99).

In the Spirit of Marc Karlin was set up by Holly Aylett, fellow documentarist and founder member of Vertigo, Hermione Harris, anthropologist, collaborator on Nicaraguan project and partner of Marc Karlin, and film archivist Andy Robson. It aims to secure Marc’s film and paper archive, to facilitate research and publication, and to build a platform for future generations to have access to Marc’s work.

Marc Karlin is an important but neglected figure within the British film avant-garde of the 1970s, 80s and 90s. He was a founder member of the film collectives Cinema Action and the Berwick Street Film Collective, an active member of the film union ACTT and the Independent Filmmakers Association, and he established the journal of independent film, Vertigo, in 1993.

His groundbreaking films for television in the 80s and 90s combined documentary and fiction film tropes to explore the themes of memory, history and political agency. Karlin was, resolutely, a political filmmaker, but his dense, yet subtle films are also rich meditations on the nature of filmmaking, the formation and collapse of ideologies, and the endurance of the human spirit.

This project aims to secure Marc’s film and paper archive, to facilitate research and publication, and to build a platform for future generations to have access to Marc’s work.