Barbican 7.30pm 13 May 2014 Cinema 2/ Introduction by Kodwo Eshun
On October 21 1967, over 100,000 marchers assembled in Washington D.C. for the Mobilization to End the War in Vietnam protest. It was the largest anti-war gathering yet, bringing together a wide cross-section of liberals, radicals and hippies. For many, this marked the transition from simple anti-war demonstration to direct action that aimed to stop the war machine. Chris Marker was there with a camera.
France 1968 Dir Chris Marker 28 min
During the chilling and feverish year of 1967, an international collective of world-renowned filmmakers (including Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch, Alain Resnais and Agnès Varda) came together in a spirit of bonhomie and common purpose to make this profoundly unapologetic anti-war film, which captured the mood of events to come in 1968.
France 1967 Dirs Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch, Chris Marker, Alain Resnais, Agnès Varda 115 min
Chris Marker is co-curated by Christine van Assche, Chief Curator, Centre Pompidou, Paris, writer and film critic Chris Darke, and Whitechapel Gallery Chief Curator Magnus Af Petersens.
Symposium: Chris Marker: In Memory, Part 1, Saturday 10th May
Holly Aylett will be introducing extracts from Marc Karlin’s For Memory (1982) in the Whitechapel Gallery’s Symposium: Chris Marker: In Memory, Part 1, Saturday 10th May – a series of presentations, screenings and discussions respond to the theme of memory, illustrating how the concept is interwoven throughout Marker’s life and work, providing new approaches to understanding Marker’s practice.
A research project focusing on the work of British Filmmaker Marc Karlin (1943-99).
In the Spirit of Marc Karlin was set up by Holly Aylett, fellow documentarist and founder member of Vertigo, Hermione Harris, anthropologist, collaborator on Nicaraguan project and partner of Marc Karlin, and film archivist Andy Robson. It aims to secure Marc’s film and paper archive, to facilitate research and publication, and to build a platform for future generations to have access to Marc’s work.
Marc Karlin is an important but neglected figure within the British film avant-garde of the 1970s, 80s and 90s. He was a founder member of the film collectives Cinema Action and the Berwick Street Film Collective, an active member of the film union ACTT and the Independent Filmmakers Association, and he established the journal of independent film, Vertigo, in 1993.
His groundbreaking films for television in the 80s and 90s combined documentary and fiction film tropes to explore the themes of memory, history and political agency. Karlin was, resolutely, a political filmmaker, but his dense, yet subtle films are also rich meditations on the nature of filmmaking, the formation and collapse of ideologies, and the endurance of the human spirit.
This project aims to secure Marc’s film and paper archive, to facilitate research and publication, and to build a platform for future generations to have access to Marc’s work.