Barbican 7.30pm 13 May 2014 Cinema 2/ Introduction by Kodwo Eshun
On October 21 1967, over 100,000 marchers assembled in Washington D.C. for the Mobilization to End the War in Vietnam protest. It was the largest anti-war gathering yet, bringing together a wide cross-section of liberals, radicals and hippies. For many, this marked the transition from simple anti-war demonstration to direct action that aimed to stop the war machine. Chris Marker was there with a camera.
France 1968 Dir Chris Marker 28 min
During the chilling and feverish year of 1967, an international collective of world-renowned filmmakers (including Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch, Alain Resnais and Agnès Varda) came together in a spirit of bonhomie and common purpose to make this profoundly unapologetic anti-war film, which captured the mood of events to come in 1968.
France 1967 Dirs Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch, Chris Marker, Alain Resnais, Agnès Varda 115 min
Chris Marker is co-curated by Christine van Assche, Chief Curator, Centre Pompidou, Paris, writer and film critic Chris Darke, and Whitechapel Gallery Chief Curator Magnus Af Petersens.
Symposium: Chris Marker: In Memory, Part 1, Saturday 10th May
Holly Aylett will be introducing extracts from Marc Karlin’s For Memory (1982) in the Whitechapel Gallery’s Symposium: Chris Marker: In Memory, Part 1, Saturday 10th May – a series of presentations, screenings and discussions respond to the theme of memory, illustrating how the concept is interwoven throughout Marker’s life and work, providing new approaches to understanding Marker’s practice.